Showing posts with label poetics. Show all posts
Showing posts with label poetics. Show all posts

Wednesday, February 4, 2009

Pardon My Melodrama

I've just a had really awful time of it the last 5 days and when I throw myself pity parties (and no ones invited! i cry alone) i tend to think of this poem by Dorothy Parker; it always speaks to me, except for the last line- I can't do love.

"Symptom Recital"

I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again.
Oh Ms. Parker- I do love you.

Prince- The Ballad of Dorothy Parker [mp3]
The Real Tuesday Weld- Dorothy Parker Blue [mp3]

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A Literal LOL

This actually made me laugh out loud, something which was exceedingly difficult today and that i thought might be impossible.

Brief setup: David, son to be internet superstar, just went to the dentist to hvae a tooth pulled and hilarity ensues


Ha! I mean, poor poor kid; in 15 years he's going to have to pay for that kind of high.

PJ Harvey- When Under Ether [mp3]

P.S. I love how words uttered the influence of pain meds can sometimes seem so profound. Y'know like the last words of Dutch Schultz; they're a bizarre and thus beautiful read

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Wednesday, February 27, 2008

The Visible, The Untrue

by Hart Crane

Yes, I being
the terrible puppet of my dreams, shall
lavish this on you—
the dense mine of the orchid, split in two.
And the fingernails that cinch such
environs?
And what about the staunch neighbor tabulations,
with all their zest for doom?

I'm wearing badges
that cancel all your kindness. Forthright
I watch the silver Zeppelin
destroy the sky. To
stir your confidence?
To rouse what sanctions—?

The silver strophe... the canto
bright with myth ... Such
distances leap landward without
evil smile. And, as for me....

The window weight throbs in its blind
partition. To extinguish what I have of faith.
Yes, light. And it is always
always, always the eternal rainbow
And it is always the day, the farewell day unkind.

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Tuesday, February 26, 2008

The Answer

The Answer by Robinson Jeffers
--------------------------------------------------------------------------

Then what is the answer?- Not to be deluded by dreams.
To know that great civilizations have broken down into violence,
and their tyrants come, many times before.
When open violence appears, to avoid it with honor or choose
the least ugly faction; these evils are essential.
To keep one’s own integrity, be merciful and uncorrupted
and not wish for evil; and not be duped
By dreams of universal justice or happiness. These dreams will
not be fulfilled.
To know this, and know that however ugly the parts appear
the whole remains beautiful. A severed hand
Is an ugly thing and man dissevered from the earth and stars
and his history… for contemplation or in fact…
Often appears atrociously ugly. Integrity is wholeness,
the greatest beauty is
Organic wholeness, the wholeness of life and things, the divine beauty
of the universe. Love that, not man
Apart from that, or else you will share man’s pitiful confusions,
or drown in despair when his days darken.

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Wednesday, February 20, 2008

Yes, Virginia, There is a G-Spot

"It exists as certainly as love and generosity and devotion exist, and you know that they abound and give to your life its highest beauty and joy. Alas! how dreary would be the world if there were no [G-Spot].
There would be no... poetry, no romance to make tolerable this existence. We should have no enjoyment, except in sense and sight.
Nobody sees [the G-Spot], but that is no sign that there is no [G-Spot]. The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that's no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.

You may tear apart the baby's rattle and see what makes the noise inside, but there is a veil covering the unseen world which not the strongest man, nor even the united strength of all the strongest men that ever lived, could tear apart. Only faith, fancy, poetry, love, romance, can push aside that curtain and view and picture the supernal beauty and glory beyond. Is it all real? Ah, VIRGINIA, in all this world there is nothing else real and abiding." -Newseum

from the BBC

The mysterious G spot - supposedly a route to female sexual satisfaction - can be located with ultrasound, claim Italian scientists.

Some women say stimulating a certain part of the vagina triggers powerful orgasms, but medicine has not been able to pin down the exact location.

Researchers told New Scientist magazine they found an area of thicker tissue among the women reporting orgasms.

But specialists warned there could be other reasons for this difference.
The existence of the G spot has remained controversial since the 1980s, when the term was coined as a way to explain why some women were able to achieve orgasm through vaginal stimulation, while others were not.
The latest research, published in the Journal of Sexual Medicine, was carried out the Dr Emmanuele Jannini at the University of L'Aquila, and involved just 20 women.

Ultrasound was used to measure the size and shape of the tissue beyond the "front" wall of the vagina, often suggested as the location of the G spot.

In the nine women who reported being able to achieve vaginal orgasm, the tissues between the vagina and the urethra - which carries urine out of the body - were on average thicker than in the 11 women who could not reach orgasm this way.

Dr Jannini said: "For the first time, it is possible to determine by a simple, rapid and inexpensive method if a woman has got a G spot or not."


It's like Christmas, every night. And why am I not surprised that Italians were the ones who discovered this...

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Tuesday, February 19, 2008

Roger Clemens, Poet.

Slate has an interesting collection of poems, interesting because of their source

In his testimony and depositions, Roger Clemens has hurled a poetic masterpiece, with a repertoire that ranges from free-form verse to haiku. The poems that follow are the pitcher's exact words, excerpted from transcripts of Wednesday's testimony and the deposition the pitcher gave to the House Committee on Oversight and Government Reform earlier this month

These are my favorite (you can read them all here)

"Offensive Haiku"

I am offended.
I will be honest with you.
I am offended.

Feb. 5, 2008, deposition

"Ghost Andy"

He looked at me,
Wringing his hands,
White as a ghost

And asked me
What are you going
To tell them?

And I told him
I'm going out there
To tell the truth.

Feb. 13, 2008, hearing

"Somebody's Tried To Break My Spirit in This Room"

Somebody's tried to break my spirit in this room.
They're not going to break my spirit.
I'm going to continue to go out
And do the things that I love to do,
And try and be honest and genuine
To every person I can be.
It's the way I was brought up.
It's what I know.

Feb. 5, 2008, deposition

"Me"

I have never smoked a cigarette.
I have never smoked dope.
I have never done cocaine.
I would not put anything—
Allow anybody to put anything—
In my body
That's going to be harmful to me.
That's who I am.

Feb. 5, 2008, deposition




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Thursday, February 14, 2008

Eros and Psyche

EROS--the Greek god of love; son of Aphrodite. His Roman cognate is CUPID.
APHRODITE--the Greek goddess of love. Her Roman cognate is VENUS.
PSYCHE--a mortal princess whose beauty aroused the jealous wrath of Aphrodite, but who was chosen by Eros to be his bride.
Despite evident differences in the two stories, the popular fairytale "Beauty and the Beast" is actually a late folk version of a Greek myth, the story of Eros and Psyche.


Aphrodite, the goddess of love, was jealous and angry because a mortal princess named Psyche had become so famous for her beauty that mere mortals were beginning to say that she was even more lovely than Aphrodite herself.

Aphrodite sent her son Eros, the god of love, to shoot Psyche with one of his arrows, to make her fall in love with the most hideous monster he could find. But the girl's exquisite beauty so enchanted him that he could not bring himself to carry out his mother's command.

Meanwhile, the oracle of Apollo at Delphi had warned Psyche's father that she would never be the bride of an ordinary man, but rather would marry a being who flies through the night like a winged serpent, one whose power was so great that even Zeus, the king of the gods, could not withstand it. The king was told to take his daughter to the mountaintop and leave her there, and the wind would transport her to the abode of her husband.

The next morning, Psyche, her father and mother, and her two sisters made their way sadly to the top of the mountain. Tearfully they bade each other farewell, and then her family returned to the palace, leaving the frightened girl alone on the mountaintop.

As soon as she was quite alone, Psyche felt herself lifted by a gentle breeze, which carried her far away to a beautiful palace built of marble and richly decorated with gold, silver, and precious gems. When she went inside, she found that an elaborate wedding feast had been prepared, but she saw no guests. Invisible servants began to wait on her, and in soft voices they assured her that she was mistress of the palace, and that everything in it was hers.

That night her new husband came to her, but the palace was so completely dark that she could not see him. Still, he was kind and gentle, and his words were loving and sweet. She soon fell in love with him. He promised that he would give her anything she wanted, but warned her that she must never try to see his face. If ever she should look upon his face, they would have to part, and she would then live in loneliness and misery.

For many months Psyche was content to live with the husband she had come to love so dearly, but she never stopped missing her sisters. She began to plead with him to bring them to visit her. He warned her that

they would cause trouble, but in the end he could not refuse his bride's request.

The next day, when Psyche's sisters went to the mountaintop, as they did every day, to weep over their lost sister, the wind lifted them and carried them to Psyche's new home. When they were set down before the gorgeous palace, the sisters felt amazed at such wealth. They were even more astonished when their lost sister ran out of the palace to greet them. She explained that the palace belonged to her new husband--and now, of course, to her as well.

Psyche's sisters could not help feeling jealous of Psyche's good fortune. They began to pry and probe, and to ask questions about her husband. Although she did not want to admit that she had never seen her husband's face, Psyche became confused and flustered under their relentless interrogation. In response to one question, she described him as having golden hair, as bright as the sun, but an hour later, she mentioned that his hair was as dark as night. These and other contradictory answers aroused her sisters' suspicion. They pounced on her errors, crying out, "Why, you have never even seen him, have you?"

When she finally admitted the truth, her sisters reminded her of Apollo's prophecy. It didn't take long for them to persuade the confused girl that her husband must be a terrible monster who would kill her as soon as he tired of her. They concocted a plan. Handing her an oil lamp and a dagger, they told her to wait until he was asleep, and then to light the lamp and steal a look at him. If he was, as they assumed, a terrible monster, then she would have to take the dagger and kill him.

That night, Psyche took the dagger from beneath her pillow and approached her sleeping husband. She lit the lamp and gazed for the first time on her husband's face, the face of the god of love! Instead of obeying his mother's command and making Psyche fall in love with a hideous monster, Eros had secretly taken her for his own bride. When she beheld the glory of Eros, Psyche was so startled that she allowed a drop of hot oil to land on his shoulder.

Awakened by the drop of oil on his shoulder, the god said sadly, "Where there is no trust there can be no love." Then he arose and left the palace.

Aphrodite soon learned that Eros had disobeyed her. She sought out his abandoned bride, determined to make her suffer. As soon as she found her, Aphrodite dumped a great pile of tiny seeds on the ground in front of the unhappy girl and ordered her to separate them--and to finish the job by sundown!

Looking at the enormous pile of seeds, Psyche knew that the task was impossible. It would take a hundred years to sort and separate so many seeds. But a large colony of ants, beguiled by the girl's beauty, decided to help her. Scurrying back and forth, they soon had the seeds sorted into separate piles. When Aphrodite returned and saw that the task had been completed, she became enraged and promised Psyche that her next task would be even harder.

She commanded Psyche to collect some wool from a herd of fierce man-eating sheep who lived in a thicket of thornbushes near the river. Psyche knew it was certain death to approach the sheep, but as she drew near to the bushes where they lived, a voice told her to wait until evening, when the sheep would leave the thicket. Then she could collect the wool that had stuck to the thorns. Psyche did this, and once again Aphrodite was angry that Psyche had successfully completed a task that was meant to be impossible.

Aphrodite continued to set impossible tasks for Psyche, but somehow the girl kept managing to complete them. What neither Psyche nor Aphrodite realized was that Eros was still watching over Psyche, sending her help when she needed it.

Zeus was well aware of these events. Finally he decided that enough was enough. He decreed that Eros had proved his love for Psyche, and Psyche had proved her devotion, patience, and obedience. He said that since Eros had chosen as his bride a mortal, who could not reside with him on Mt. Olympus, there was only one course of action. Zeus would have to grant her immortality. Once Psyche had drunk the ambrosial nectar of the gods from the cup of immortality she ceased to be mortal. Aphrodite no longer felt jealous of her, for she had only resented the girl because she felt that mortals had no right to rival the gods. At last she bestowed her blessing on the union between her son and the beautiful princess who had become one of the immortals.

Ode To Psyche by John Keats.

O Goddess! hear these tuneless numbers, wrung
By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
Even into thine own soft-conched ear:
Surely I dreamt to-day, or did I see
The winged Psyche with awaken'd eyes?
I wander'd in a forest thoughtlessly,
And, on the sudden, fainting with surprise,
Saw two fair creatures, couched side by side
In deepest grass, beneath the whisp'ring roof
Of leaves and trembled blossoms, where there ran
A brooklet, scarce espied:

Mid hush'd, cool-rooted flowers, fragrant-eyed,
Blue, silver-white, and budded Tyrian,
They lay calm-breathing, on the bedded grass;
Their arms embraced, and their pinions too;
Their lips touch'd not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
At tender eye-dawn of aurorean love:
The winged boy I knew;
But who wast thou, O happy, happy dove?
His Psyche true!

O latest born and loveliest vision far
Of all Olympus' faded hierarchy!
Fairer than Phoebe's sapphire-region'd star,
Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
Nor altar heap'd with flowers;
Nor virgin-choir to make delicious moan
Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
Of pale-mouth'd prophet dreaming.

O brightest! though too late for antique vows,
Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
Holy the air, the water, and the fire;
Yet even in these days so far retir'd
From happy pieties, thy lucent fans,
Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth'd prophet dreaming.

Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster'd trees
Fledge the wild-ridged mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
The moss-lain Dryads shall be lull'd to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
With the wreath'd trellis of a working brain,
With buds, and bells, and stars without a name,
With all the gardener Fancy e'er could feign,
Who breeding flowers, will never breed the same:
And there shall be for thee all soft delight
That shadowy thought can win,
A bright torch, and a casement ope at night,
To let the warm Love in!

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Wednesday, February 13, 2008

Shangri-La and Xanadu

Two perfect seeming places I want to visit

Abu Dhabi has started to build what it says is the world's first zero-carbon, zero-waste car-free city.

Masdar City will cost $22bn (£11.3bn), take eight years to build and be home to 50,000 people and 1,500 businesses.

The city will be mostly powered by solar energy and residents will move in travel pods running on magnetic tracks.

The city will make use of traditional Gulf architecture to create low-energy buildings, with natural air conditioning from wind towers.

Water will be provided through a solar-powered desalination plant, Masdar says. The city will need a quarter of the power required for a similar sized community, while its water needs will be 60% lower.

The city forms part of an ambitious plan to develop clean energy technologies.

In January, the government of Abu Dhabi announced a $15bn five-year initiative to develop clean energy technologies, calling it "the most ambitious sustainability project ever launched by a government".

As part of the plan, Abu Dhabi will become home to the world's largest hydrogen power plant.

The money is being channelled through the Masdar Initiative, a company established to develop and commercialise clean energy technologies, and Abu Dhabi hopes it will lead to international joint ventures involving much more money.

Abu Dhabi will invest $4bn of equity in the project and borrow some of the rest, Masdar said.

"We are creating an array of financial vehicles to finance the $22bn development," Masdar chief executive officer Sultan al-Jaber told Reuters news agency.

"We will monetise all carbon emission reductions... Such innovative financing has never been applied to the scale of an entire city."
Of course all of the money used to pay for this oasis in the desert will have come from oil revenues, but let's not worry about that part.

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.
-Coleridge



and in a less scary part of the world with a lot of fun things converging
Feeling singer Dan Gillespie revealed to us that singer Sophie Ellis Bexter is to start up a gay themed 80s club in London, inspired by David Bowie.
Gillespie, spilt the beans on the plans of the wife of his bassist, Richard Jones saying 28-year-old is in talks with the owners of the late Rebel Rebel gay night club.

80s? Sophie? Bowie? Buggers? Brits? I am totally there.
And I am really all about this club just as long as they promise to play this song.
For at least one straight hour. Each and Every night.

It's murder on the dancefloor
But you better not kill the groove
Dj, gonna burn this goddamn house right down
Oh, I know I know I know I know I know I know
About your kind
And so and so and so and so and so
I'll have to play
If you think you're getting away
I will prove you wrong
I'll take you all the way
Boy, just come along
Hear me when I say
Hey, It's murder on the dancefloor
But you better not kill the groove
Hey, Hey, Hey, Hey It's murder on the dancefloor
But you better not steal the moves
Dj, gonna burn this goddamn house right down
Oh I know I know I know I know I know I know
There maybe others
And so and so and so and so and so and so
You'll just have to pray
If you think you're getting away
I will prove you wrong
I'll take you all the way
Stay another song
I'll blow you all away
Hey, It's murder on the dancefloor
But you better not kill the groove
Hey, Hey, Hey, Hey Murder on the dancefloor
But you better not steal the moves
DJ, gonna turn this house around somehow
Murder on the dancefloor
But you better not kill the groove
Hey, hey, hey, hey
Murder on the dancefloor
But you better not steal the moves
Dj, gonna burn this goddamn house right down

(I LOVE THIS SONG)
Sophie Ellis-Bexter Murder on The Dance Floor [download]
Dj, gonna burn this goddamn house right down

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Tuesday, February 5, 2008

"It doesn't matter who you vote for, just make sure you vote"

or to paraphrase Will Bailey from Election Night “but it does matter who you vote for so how ‘bout we change that sign to say ‘No Matter Who You Vote For…is that okay with you?”

(I’ve had this since before the Iowa Caucus and today seems fitting enough)
“Fancy Clothes and Overalls”-Emma Claire Edwards reads a poem about voting written by her brother, Wade Edwards.


(and that’s really sad because Wade never was able to vote and Emma Claire never knew him)

p.s.

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Wednesday, January 30, 2008

Dreams or Songs

When you google a dream or a song (go on, try it) this website is listed 5th. [UPDATE: or was. Now it’s not. And I feel a bit rejected ]

SO in an effort to move up I will be incorporating the pertinent information from the websites that are above me

I.
Dream On

song by Aerosmith from their 1973 debut album, Aerosmith. Written by lead singer Steven Tyler, this power ballad became their first major hit. Although it peaked at #59 when it was originally released as a single in 1973, it became a Top 10 single in 1976, when it was re-released as a single. This song was first played live in Willimantic, CT at the Shaboo Inn.

The song is a piano ballad in the key of F minor. Long a concert staple, the song's piano part has been played live by Tyler. The band has also played "Dream On" with an orchestra on a couple occasions. In the early 1990s, the band performed the song live with an orchestra for MTV's 10th Anniversary. On September 19, 2006 Aerosmith dedicated the song to captured Israeli soldier Ehud Goldwasser. Additionally, in 2006, Steven Tyler and Joe Perry performed the song live with the Boston Pops Orchestra at their Fourth of July spectacular.

Appearances on other albums

"Dream On" was one of the band's biggest hits of their career and the highest charting single for them in the 1970s. Consequently, the song appears on almost every Aerosmith greatest hits and live compilation, including Live! Bootleg, Greatest Hits, Classics Live I, A Little South of Sanity, Young Lust: The Aerosmith Anthology, O, Yeah! The Ultimate Aerosmith Hits, Rockin' the Joint, Devil's Got a New Disguise, and both of the band's box sets.

Achievements

The song "Dream On" is part of the The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list. It is also ranked #172 on Rolling Stone's list of the 500 Greatest Songs of All Time. It frequently rivals "Sweet Emotion" and "Walk This Way" for the title of Aerosmith's signature song.

Samples and covers

The song was sampled by rap artist Eminem for his song "Sing for the Moment" from his 2002 album The Eminem Show. Joe Perry also played the guitar solo on the track. The song was re-made by Andru Donalds as the cover song for their album of the same name. It has been covered by Ronnie James Dio (vocals) with Yngwie Malmsteen.

"Dream On" was recently covered by Razor and Tie recording artist Kelly Sweet. It is available on both her self-titled EP and her full length album We Are One.

"Dream On" has also been covered live by Tori Amos, and is included on "The Official Bootlegs" album recorded at the Bank of America Pavilion in Boston, Massachusetts on August 21, 2005.

"Dream On" has been covered by Bermuda Triangle Band on their 1977 "Bermuda Triangle" album on Winter Solstice Records and on the 2006 reissue of that album.

"Dream On" was also covered by Enigma on their 2000 album named "Dream On".

"Dream On" was covered by The Mission on their album "Children"

"Dream On" was also covered by Fisher on their "Uppers & Downers" dual-disc album. The cover version performed by Fisher was featured in the series-finale episode of NBC drama Windfall.

The song was also sampled by rap artist The Game for his song "Never Be Friends" off of a mixtape by the Nu Jerzey Devil. Michael Angelo Batio also covered this song in his album Hands Without Shadows.

In other media

This song was used in Buick's commercials, corresponding with their slogan, "Dream Up".

This song was also used in ESPN SportsCenter's "Images of the Century", a video montage about memorable moments in sports history from the 20th century. The video montage was heavily played on ESPN in the days leading up to January 1, 2000.

The song made an appearance as the closing theme to the Disney movie Miracle, and was also used in the closing credits of the movie Last Action Hero.

It was used in the opening cut scene for the Tecmo video game Dead or Alive Ultimate.

It is sampled in Boulevard of Broken Songs in the mash-up album American Edit.

It was used in a video tribute to Ken Griffey Jr. in his return to Seattle on June 22, 2007
Aerosmith- Dream On [download]
Eminem-Sing For The Moment (samples Dream On extensively) [download ]

II
Dream (song)
Dream (sometimes referred to as Dream (When You're Feeling Blue)) is a jazz and pop standard with words and music by Johnny Mercer in 1944 and performed by many artists. The most popular versions of the songs include those by Ella Fitzgerald, Frank Sinatra, Michael Bublé, and Roy Orbison.

In 1944 June Hutton with The Pied Pipers recorded a version of the song that became a hit. It then became the trademark song of The Pied Pipers.

Mercer wrote the song for the 1945 MGM film Her Highness and the Bellboy, and the song became a hit for The Pied Pipers. After its initial success, the song fell into obscurity until Ella Fitzgerald scored a hit with the song in 1952. The song was also recorded (on April 14, 1958) by Betty Johnson (issued by Atlantic Records as catalog number 1186) in a version that spent one week on the charts: #19 on the Billboard chart of songs most played by disc jockeys and #58 on the Billboard top 100 chart. Roy Orbison recorded a cover of the song on his popular and critically acclaimed 1963 album, In Dreams. More recently, Orbison's version was resurrected for the soundtrack to the 1998 film You've Got Mail.

Other notable versions include a cover by Frank Sinatra in 1960, blues legend Etta James in 1961, Ringo Starr's version in 1970, and most recently Michael Bublé's version in 2007.

Dream (When You're Feeling Blue) lyrics
Get in touch with that sundown fellow
As he tiptoes across the sand
He's got a million kinds of stardust
Pick your fav'rite brand, and

Dream, when you're feeling blue
Dream, that's the thing to do
Just watch the smoke rings rise in the air
You'll find your share of memories there

So dream when the day is through
Dream, and they might come true
Things never are as bad as they seem
So dream, dream, dream

Dream when the day is through
Dream, and they might come true
Things never are as bad as they seem
So dream, dream, dream
Dream
So dream, dream, dream


(aww; that’s pretty!)

Frank Sinatra- Dream (When You’re Feeling Blue) [download]
Ella Fitzgerald- Dream (When You’re Feeling Blue) [download]


III
Song Of A Dream

Once in the dream of a night I stood
Lone in the light of a magical wood,
Soul-deep in visions that poppy-like sprang;
And spirits of Truth were the birds that sang,
And spirits of Love were the stars that glowed,
And spirits of Peace were the streams that flowed
In that magical wood in the land of sleep.

Lone in the light of that magical grove,
I felt the stars of the spirits of Love
Gather and gleam round my delicate youth,
And I heard the song of the spirits of Truth;
To quench my longing I bent me low
By the streams of the spirits of Peace that flow
In that magical wood in the land of sleep.

- Sarojini Naidu


IV
@Amazon
Requiem for a Dream Remixed cost $12.97 (you save $5.01 or 28%)

Track Listing
1. Intro
2. In The End It's All Nice
3. Ghosts In The Machine
4. Aeternal
5. Film Score
6. Coney Island Express
7. Film Score
8. Haunted Dreams
9. Tense - Kronos Quartet
10. Full Tension - Josh Wink
11. Film Score
12. Deluxed
13. Film Score
14. Body & Fear - A Guy Called Gerald
15. Film Score - 112
16. Over Turned
17. Film Score
18. Hand Jive
19. Film Score - Arnold
20. Ghosts Vocal Version


19 of 23 people found the following review helpful:
2.0 out of 5 stars Better Left Untouched, November 1, 2002
By mattyp4 (New York, NY United States)
If you're at all curious about this CD, then check it out before you buy it. I found it kind of boring.
Some tracks seem only slightly altered (bits of dialogue thrown in, pulsing dance floor beats in the background, etc) while others are almost completely unrecognizable. And the tracks that are taken directly from the film ("Seacost Towers," "112," "Sara," etc) are just outtakes from the first, superior, original soundtrack. They're incidental, at best.
So my whole problem is this: why take the stellar Requiem CD & mess with it? Mansell's haunting score is practically perfect! Why ruin a good thing? If it ain't broke, don't fix it!
If you're a fan of the film's score then do yourself a favor & just buy the original soundtrack. I think this CD is only for die hard fans of these DJs (Paul Oakenfold, A Guy Called Gerald, Josh Wink).

9 of 9 people found the following review helpful:
3.0 out of 5 stars An up and down experience, March 22, 2006
By syLenxor (New York)
After thoroughly enjoying the movie "Requiem for a Dream," I bought this album mainly because of my interest in electronic music (and the movie, of course). The electronic remixes provide very "interesting" takes on the music of the movie.

Some of the songs are good, but most of them are just too bland to be catchy. Overall, the album has a boring feel to it, stemming from the collection of samples taken straight from the movie. Sure, they serve to create a haunting atmosphere and make you feel like you're watching the movie, but I'd rather watch the movie again instead. Personally, I consider them plain filler. In addition, the little audio clips aren't very ideal for MP3 players (such as my iPod), when I prefer to listen to my entire library shuffled. After all, who likes listening to 10-second tracks mixed in with his or her other songs? But maybe that's just me. People who listen to CDs from beginning to end will have a better listening experience than I did and will definitely be taken for a haunting ride. And to keep the whole ride going smoothly, each song is slightly mixed with the next, which is something that might annoy some listeners (that includes me). Otherwise, the brief interludes serve their purpose pretty well.

As you probably know already, I like only a few songs on this album, and they are:
"In the End It's All Nice" by Plant - It's a remix of the main theme, and it has a dark, bouncy groove. This song should have definitely been the "intro," as the cleverly used samples provide a nice overview of the movie's plot and atmosphere.
"Ghosts In the Machine" by Psilonaut - It's a very interesting take on the "Ghosts" theme. It starts off slow, but eventually the calming, powerful (maybe even a bit repetitive) vocals smoothly take you to the end of the song. The sampling in it is weird (a robot counting from one to ten... whoa), but it adds to the haunting atmosphere without being too distracting.
"Aeternal" by Paul Oakenfold - It's another remix of the main theme, but this time it's a hip-hop sort of beat. The song never really changes its style or beat, but perhaps it's good that way.
"Deluxed" by Delerium - This is the darkest remix of the main theme, done by a very talented duo. The song starts off very slow, builds up intensely, and slowly ends back where it started. It's probably the best song on the album.
"Overturned" by ILS - It's nothing really special, but I like this drum-and-bass remix of the main theme for its novelty value.

As for the other songs, I can't say much about them other than I don't like them. But I do recommend this album to anyone willing to experience something that's new and unusual. The songs retain most of the chilling feel of the movie's original score, while they introduce a cool electronic twist that listeners may really enjoy.

19 of 21 people found the following review helpful:
5.0 out of 5 stars Intoxicating. More fun than the original release., November 21, 2002
By Carson Checketts (Providence, Rhode Island)
Don't get me wrong. The original score for "Requiem" is a haunting, incredible piece of work. In fact, I had to rush out the day after I saw the film (in it's theatrical realease, so the score was hard to locate) and purchase it at once. I loved it and felt the score was snubbed by the Academy much the way the film itself was (how dare they choose "Gladiator" over something as beautiful and awe inspiring as this, but I guess the film was too controversial. Whatever. But to not even nominate for Best Editing? Sacrilege!)
However, as a stand alone product, some of the score can be difficult to listen to without Aronofsky's spectacular visuals. But the Remix is an absolute blast. Granted, I love techno and have a particular guilty pleasure for movie themes remixed into club tracks (i.e. Pete Tong's take on the "American Beauty theme), but this is really something special. I'm not saying it's in any way better than the original score, for you do need to be familiar with the initial release to fully appreciate the remixes, but it is a lot of fun. The DJ selection is choice and you will get into the groove as easy as a junkie gets into smack. The piece by Delerium is siply one of the greatest tracks I have ever heard. It alone is worth the price of the disc.
So, if you like techno and you're a fan of Requiem, really why haven't you already ordered it? You will not be disappointed. I have not been this imprssed by a CD in some time.



and since this is post 1111 here’s a treat from Rufus Wainwright


11:11
Those are the reason 'bout
Where I was sleeping but I was alive
I was alive
Woke up this morning at 11:11
John was half-naked and Lulu was crying
Over a baby
That'll never go crazy
But I was alive
And till the end of this world,
We'll all load in a dump truck of human
11:11

What else can I do,
What else can I do
Woke up this morning and
Something was burning
Realized that everything really
Does happen in Manhattan
Thoughts were of characters
And afternoons lying with you
And you were alive
Ohh, the hours we are seperate
11:11 is the precious time we wasted
So pack up your bleeding heart
And put away your posies
I don't want to have a drink
Or play ring around the rosie with you
Oh no, no

Ohh, the hours we are seperate
11:11 is the precious time we wasted
So let the blind fight the blind and see,
As the fall take over summer
Bringing the lattice roses
And as winter brings the spring rain
And to the end of this world,
We'll all load in a dump truck of human
11:11

Rufus Wainwright- 11:11 [download] buy it on iTunes
Rufus Wainwright - Want One - 11:11



It’s [post] 11:11-make a wish

(and yes I had planned on posting this at 11:11 but...]

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Hold Fast To Dreams by Langston Hughes

Hold Fast To Dreams

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow



(oh and what do you know post 1100 ::sarcastic woo::)

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Tuesday, January 29, 2008

The Last Words of The Presidents

Have you ever thought to yourself “hey I wonder what were the last words of the Presidents” well neither did I but I had a pretty intense localized headache and as I tend to do in such situations I tend to let my mind wander to the worst possible case and as I often do with headaches that I assume are actual brain hemorrhages I remember FDR’s last words “I have a terrific pain on the side of my head” and so in order to actually be accurate in my irrational recollections I decided to google to make sure. Which led me to this website which, interestingly enough documents the last words of our presidents.
It’s morbid but it’s actually really interesting- have a look:

George Washington
I am just going. Have me decently buried and do not let my body be into a vault in less than two days after I am dead. Do you understand me? ["Yes," replied Tobias Lear, his secretary.] 'Tis well.
John Adams
[Asked by Mrs. Clark if he knew what day it was.] Oh, yes; it is the glorious Fourth of July. It is a great day. It is a good day. God bless it. God bless you all. [He then lapsed into unconsciousness. He awakened later, and mumbled] Thomas Jefferson.... [This is often reported as the beginning of the sentence "Thomas Jefferson still survives," but this cannot be held reliable. If this is indeed what John Adams was saying, he was wrong. He spoke the words at the approximate time of Jefferson's actual death; Jefferson preceded Adams in death by a couple of hours.]
Thomas Jefferson
Is it the Fourth? [Asked of his doctor, Robley Dunglison, who replied, "It soon will be."] I resign my spirit to God, my daughter to my country. [Like John Adams, Jefferson died on the fiftieth anniversary of the signing of the Declaration of Independence.]
James Madison
Nothing more than a change of mind, my dear. I always talk better lying down. [In response to a niece, who asked, "What is the matter, Uncle James?"]
James Monroe
I regret that I should leave this world without again beholding him. [referring to James Madison]
John Quincy Adams
This is the last of Earth. I am content.
Andrew Jackson
I hope to meet you all in Heaven. Be good children, all of you, and strive to be ready when the change comes.
Martin Van Buren
There is but one reliance...
William Henry Harrison
Sir, I wish you to understand the true principles of government. I wish them carried out. I ask nothing more. [Spoken in delerium to Vice President John Tyler.]
John Tyler
Doctor, I am going. ["I hope not, sir," said the doctor.] Perhaps it is best.
James Polk
I love you, Sarah. For all eternity, I love you. [He told her what provisions he had made for her, then passed away.] (spoken to his wife)
Zachary Taylor
I am about to die. I expect the summons very soon. I have tried to discharge all my duties faithfully. I regret nothing, but I am sorry that I am about to leave my friends.
Millard Fillmore
[Accepting a spoonful of soup from his doctor.] The nourishment is palatable.
Franklin Pierce
(unknown)
James Buchanan
Whatever the result may be, I shall carry to my grave the consciousness that at least I meant well for my country. Oh Lord God Almighty, as thou wilt.
Abraham Lincoln
It doesn't really matter. [In response to his wife's admonition not to hold her hand at Ford's Theater, because people might see them. Lincoln's final utterance was laughter. During the performance of the play Our American Cousin, one of the actresses called for a shawl to protect her from the draft. An actor then ad-libbed a reply, "You are mistaken, Miss Mary, the draft has been stopped by order of the President." Lincoln was laughing at this line when he was shot.]
Andrew Johnson
[After falling out of his chair, he spoke his last to his distraught daughter:] My right side is paralyzed. [struggling to move] I need no doctor. I can overcome my troubles.
Ulysses Grant
Water.
Rutherford Hayes
I know that I am going where Lucy is. [Lucy was his beloved wife.]
James Garfield
[To his chief of staff, David G. Swaim] Oh Swaim, there is a pain here. Swaim, can't you stop this? Oh, oh, Swaim!
Chester Arthur
(unknown)
Grover Cleveland
I have tried so hard to do right.
Benjamin Harrison
Are the doctors here? Doctor...my lungs.
William McKinley
Good-bye -- good-bye, all. We are all going. It's God's way. His will be done, not ours. Nearer, my God, to Thee, nearer to Thee. We are all going, we are all going, we are all going. Oh, dear.
Theodore Roosevelt
Please put out the light.
William Taft
(unknown)
Woodrow Wilson
I am a broken piece of machinery. When the machine is broken... I am ready. [Spoken to his wife. Some accounts have him adding his wife's name, "Edith" at the end.]
Warren Harding
That's good. Go on. Read some more. [To his wife, who was reading him flattering newspaper accounts.]
Calvin Coolidge
Good morning, Robert. [To a carpenter working on his home.]
Herbert Hoover
[When told that Admiral Strauss had come to pay him a visit, Hoover was already speaking in past tense:] Levi Strauss was one of my best friends.
Franklin Roosevelt
I have a terrific headache. (FDR died of a massive cerebral hemorrhage.)
David Bornus advises: According to Conrad Black in his biography "Franklin Delano Roosevelt: Champion of Freedom," page 1110, FDR was sitting for a portrait when he put his left hand to the back of his head and said: "I have a terrific pain in the back of my head." He then was carried to his bed by several people, as they were doing this "he was understood by Laura Delano to say, only semiconsciously, 'Be careful.' These were his last words."
Harry Truman
(unknown)
Dwight Eisenhower
I've always loved my wife, my children, and my grandchildren, and I've always loved my country. I want to go. I'm ready to go. God, take me.
John Kennedy
That's very obvious. [Spoken in response to Mrs. Connolly's comment, "Mr. President, you can't say that Dallas doesn't love you."] [Some claims have been made that President Kennedy exclaimed "My God, I've been hit." but one of the Secret Servicemen riding in the car when the president was shot said that Kennedy made no remarks after he was struck.]
Lyndon Johnson
Send Mike immediately! [To a Secret Service agent over an in-house telephone.]
Richard Nixon
(unknown)
Ronald Reagan
(unknown)

and if you’ve ever wondered what’s in the wills of famous people here’s another bizarrely engrossing site that’s compiled some wills and obits

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Friday, January 25, 2008

The Last Words of Dutch Schultz

A few nights ago when I couldn’t really sleep I somehow got started on a Wikipedia bender where I think I somehow traced the history of organized crime and the Mafia in America and Sicily (note: Salvatore "Totò" Riina= incredibly scary; never cross him) but during my binge I came upon again the article about the actual Last Words of Dutch Schultz which some people say “is everything from the ravings of someone on the brink of death to poetry to secrets of the mob world.”

And so because I found a transcript and want to clean off my desktop here they are:

(another quick note about Dutch Schultz -his death scene was pretty good theatre. My favorite part? “According to legend, Schultz who was shot while urinating did not want to be found dead on the floor of a men's room. He therefore picked up his hat, staggered back to his seat in the backroom, sat down, and slumped over the table. Schultz called for someone to get an ambulance; Bernard "Lulu" Rosencrantz , whose body had been ripped open from two shotgun blasts and five bullets, dutifully pulled himself to his feet, and rather than go immediately to the phone booth near the bar, he demanded that the bartender — who had hid behind the register the entire duration of the shootout — change his quarter for five nickels; Rosenkrantz didn't want the phone company getting twenty more cents than they were owed.
The police gave Schultz brandy to try and dull his pain and attempted to interrogate him while waiting for the second ambulance; when it arrived, Schultz gave the paramedics $700 in cash to ensure that they gave him the best possible treatment.
At the hospital, Landau and Rosencrantz waited for surgery and refused to say anything to the police until Schultz arrived and gave them permission; even then, they provided the cops only minimal information. When the police queried Rosenkrantz, he continued to refuse to answer any of their questions, and repeatedly demanded an ice cream soda [Abe] Landau, who nearly died at the scene reportedly used his last bit of strength to give the police a fake name and address- Gotta love the mob code- before he expired of blood loss eight hours after the shooting. Meanwhile, Rosencrantz was taken into surgery; the doctors, incredulous that Rosencrantz was still alive, were unsure of how to treat him. He survived for 29 hours after the shooting before succumbing to his injuries.)

Statements made by Arthur (Dutch Schultz) Flegenheimer were taken down by a Newark police stenographer, F. J. Lang. The notes covered a period from about 4 o'clock Thursday afternoon until Schultz died. During that period he was delirious most of the time, but lucid at intervals. Schultz at this time was irrational, suffering with a fever of 106 degrees and a bullet in his stomach. Sergeant Luke Conlon and other detectives from Newark police headquarters were at his bedside. One of the officers had a newspaper.
A transcript of all he said follows:



(Schultz noticed newspaper and spoke) - Has it been in any other papers? George, don't make no full moves. What have you done with him? Oh, mama, mama, mama. Oh stop it, stop it; eh, oh, oh. Sure, sure, mama.
Now listen, Phil, fun is fun. Ah please, papa. What happened to the sixteen? Oh, oh, he done it, please. John, please, oh, did you buy the hotel? You promised a million sure. Get out. I wished I knew.
Please make it quick, fast and furious. Please. Fast and furious. Please help me get out; I am getting my wind back, thank God. Please, please, oh please. You will have to please tell him, you got no case.
You get ahead with the dot dash system didn't I speak that time last night. Whose number is that in your pocket book, Phi1 13780. Who was it? Oh- please, please. Reserve decision. Police, police, Henry and Frankie. Oh, oh, dog biscuits and when he is happy he doesn't get happy please, please to do this. Then Henry, Henry, Frankie you didn't even meet me. The glove will fit what I say oh, Kayiyi, oh Kayiyi. Sure who cares when you are through? How do you know this? How do you know this? Well, then oh, Cocoa know thinks he is a grandpa again. He is jumping around. No Hobo and Poboe I think he means the same thing.

Q. (from Sergeant Conlon) - Who shot you?

A.- The boss himself.

Q.- He did?

A.- Yes, I don't know.

Q.- What did he shoot you for?

A.- I showed him boss; did you hear him meet me? An appointment. Appeal stuck. All right, mother.

Q.- Was it the boss shot you?

A.- Who shot me? No one.

Q.- We will help you.

A.- Will you help me up? O.K. I won't be such a big creep. Oh, mama. I can't go through with it, please. Oh, and then he clips me; come on. Cut that out, we don't owe a nickel; hold it; instead, hold it against him; I am a pretty good pretzler -Winifred- Department of Justice. I even got it from the department. Sir, please stop it. Say listen the last night!

(Statement by Sergeant Conlon) - Don't holler.

A.- I don't want to holler.

Q.- What did they shoot you for?

A.- I don't know, sir. Honestly I don't. I don't even know who was with me, honestly. I was in the toilet and when I reached the -the boy came at me.

Q.- The big fellow gave it to you?

A.- Yes, he gave it to me.

Q.- Do you know who this big fellow was?

A.- No. If he wanted to break the ring no, please I get a month. They did it. Come on. (A name, not clear) cut me off and says you are not to be the beneficiary of this will. Is that right? I will be checked and double-checked and please pull for me. Will you pull? How many good ones and how many bad ones? Please I had nothing with him he was a cowboy in one of the seven days a week fight. No business; no hangout; no friends; nothing; just what you pick up and what you need. I don't know who shot me. Don't put anyone near this check~ you might have -please do it for me. Let me get up. heh? In the olden days they waited and they waited. Please give me a shot. It is from the factory. Sure, that is a bad. Well, oh good ahead that happens for trying. I don't want harmony. I want harmony. Oh, mamma, mamma! Who give it to him? Who give it to him? Let me in the district -fire-factory that he was nowhere near. It smoldered No, no. There are only ten of us and there ten million fighting somewhere of you, so get your onions up and we will throw up the truce flag. Oh, please let me up. Please shift me. Police are here. Communistic...strike...baloney...honestly this is a habit I get; sometimes I give it and sometimes I don't. Oh, I am all in. That settles it. Are you sure? Please let me get in and eat. Let him harass himself to you and then bother you. Please don't ask me to go there. I don't want to. I still don't want him in the path. It is no use to stage a riot. The sidewalk was in trouble and the bears were in trouble and I broke it up. Please put me in that room. Please keep him in control. My gilt edged stuff and those dirty rats have tuned in. Please mother, don't tear, don't rip; that is something that shouldn't be spoken about. Please get me up, my friends. Please, look out. The shooting is a bit wild, and that kind of shooting saved a man's life. No payrolls. No wells. No coupons. That would be entirely out. Pardon me, I forgot I am plaintiff and not defendant. Look out. Look out for him. Please. He owed me money; he owes everyone money. Why can't he just pullout and give me control? Please, mother, you pick me up now. Please, you know me. No. Don't you scare me. My friends and I think I do a better job. Police are looking for you allover. Be instrumental in letting us know. They are English-men and they are a type I don't know who is best, they or us. Oh, sir, get the doll a roofing. You can play jacks and girls do that with a soft ball and do tricks with it. I take all events into consideration. No. No. And it is no. It is confused and its says no. A boy has never wept nor dashed a thousand kim. Did you hear me?

Q. (By Detective) - Who shot you?

A.- I don't know.

Q.- How many shots were fired?

A.- I don't know.

Q.- How many?

A.- Two thousand. Come one, get some money in that treasury. We need it. Come on, please get it. I can't tell you to. That is not what you have in the book. Oh, please warden. What am I going to do for money? Please put me up on my feet at once. You are a hard boiled man. Did you hear me? I would hear it, the Circuit Court would hear it, and the Supreme Court might hear it. If that ain't the pay-off. Please crack down on the Chinaman's friends and Hitler's commander. I am sore and I am going up and I am going to give you honey if I can. Mother is the best bet and don't let Satan draw you too fast.

Q. (By Detective) - What did the big fellow shoot you for?

A.- Him? John? Over a million, five million dollars.

Q.- You want to get well, don't you?

A.- Yes.

Q.- Then lie quiet.

A.- Yes, I will lie quiet.

Q.- John shot and we will take care of John.

A.- That is what caused the trouble. Look out. Please let me up. If you do this, you can go on and jump right here in the lake. I know who they are. They are French people. All right. Look out, look out. Oh, my memory is gone. A work relief police. Who gets it? I don't know and I don't want to know, but look out. It can be traced. He changed for the worse. Please look out; my fortunes have changed and come back and went back since that. It was desperate. I am wobbly. You ain't got nothing on him but you got it on his helper.

Q. (By detective ) - Control yourself.

A.- But I am dying.

(Statemnt by detective) - No, you are not.

A.- Come on, mama. All right, dear, you have to get it.

At this point, Schultz's wife, Frances, was brought to his bedside. She spoke.

(Statement by Mrs. Schultz) - This is Frances.

Schultz began to talk again, saying:

Then pull me out. I am half crazy. They won't let me get up. They dyed my shoes. Open those shoes. Give me something. I am so sick. Give me some water, the only thing that I want. Open this up and break it so I can touch you. Danny, please get me in the car.

At this point Mrs. Schultz left the room.

(Sergeant Conlon questioned Schultz again) - Who shot you?

A.- I don't know. I didn't even get a look. I don't know who can have done it. Anybody. Kindly take my shoes off. (He was told that they were off.) No. There is a handcuff on them. The Baron says these things. I know what I am doing here with my collection of papers. It isn't worth a nickel to two guys like you or me but to a collector it is worth a fortune. It is priceless. I am going to turn it over to... Turn you back to me, please Henry. I am so sick now. The police are getting many complaints. Look out. I want that G-note. Look out for Jimmy Valentine for he is an old pal of mine. Come on, come on, Jim. Ok, ok, I am all through. Can't do another thing. Look out mamma, look out for her. You can't beat him. Police, mamma, Helen, mother, please take me out. I will settle the indictment. Come on, open the soap duckets. The chimney sweeps. Talk to the sword. Shut up, you got a big mouth! Please help me up, Henry. Max, come over here. French-Canadian bean soup. I want to pay. Let them leave me alone.

Schultz sank into unconsciousness then. It was 6:40 P.M. He died less than two hours later, without saying anything else..

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Monday, January 14, 2008

A Thousand and One Posts

When it was the Thousand and First Night,

Dunyazad said to her sister, “Do thou finish for us the History of Ma’aruf!” She replied, “With love and goodly gree, an my lord deign permit me recount it.” Quoth the King, “I permit thee; for that I am fain of hearing it.” So she said:--It hath reached me, O auspicious King, that Ma’aruf would have naught to do with his wife by way of conjugal duty. Now when she saw that he held aloof from her bed and occupied himself with other women, she hated him and jealousy gat the mastery of her and Iblis prompted her to take the seal-ring from him and slay him and make herself Queen in his stead. So she went forth one night from her pavilion, intending for that in which was her husband King Ma’aruf; and it chanced by decree of the Decreer and His written destiny, that Ma’aruf lay that night with one of his concubines; a damsel endowed with beauty and loveliness, symmetry and a stature all grace. And it was his wont, of the excellence of his piety, that, when he was minded to have to lie with a woman, he would doff the enchanted seal-ring from his finger, in reverence to the Holy Names graven thereon, and lay it on the Pillow, nor would he don it again till he had purified himself by the Ghusl-ablution. Moreover, when he had lain with a woman, he was used to order her go forth from him before daybreak, of his fear for the seal-ring; and when he went to the Hammam he locked the door of the pavilion till his return, when he put on the ring, and after this, all were free to enter according to custom. His wife Fatimah the Dung knew of all this and went not forth from her place till she had certified herself of the case. So she sallied out, when the night was dark, purposing to go in to him, whilst he was drowned in sleep, and steal the ring, unseen of him. Now it chanced at this time that the King’s son had gone out, without light, to the Chapel of Ease for an occasion, and sat down over the marble slab of the jakes in the dark, leaving the door open. Presently, he saw Fatimah come forth of her pavilion and make stealthily for that of his father and said in himself, “What aileth this witch to leave her lodging in the dead of the night and make for my father’s pavilion? Needs must there be some reason for this:” so he went out after her and followed in her steps unseen of her. Now he had a short sword of watered steel, which he held so dear that he went not to his father’s Divan, except he were girt therewith; and his father used to laugh at him and exclaim, “Mahallah! [FN#104] This is a mighty fine sword of thine, O my son! But thou hast not gone down with it to battle nor cut off a head therewith.” Whereupon the boy would reply, “I will not fail to cut off with it some head which deserveth cutting.” And Ma’aruf would laugh at his words. Now when treading in her track, he drew the sword from its sheath and he followed her till she came to his father’s pavilion and entered, whilst he stood and watched her from the door. He saw her searching about and heard her say to herself, “Where hath he laid the seal-ring?”; whereby he knew that she was looking for the ring and he waited till she found it and said, “Here it is.” Then she picked it up and turned to go out; but he hid behind the door. As she came forth, she looked at the ring and turned it about in her grasp. But when she was about to rub it, he raised his hand with the sword and smote her on the neck; and she cried a single cry and fell down dead. With this Ma’aruf awoke and seeing his wife strown on the ground, with her blood flowing, and his son standing with the drawn sword in his hand, said to him, “What is this, O my son?” He replied, “O my father, how often hast thou said to me, Thou hast a mighty fine sword; but thou hast not gone down with it to battle nor cut off a head. And I have answered thee, saying, I will not fail to cut off with it a head which deserveth cutting. And now, behold, I have therewith cut off for thee a head well worth the cutting!” And he told him what had passed. Ma’aruf sought for the seal-ring, but found it not; so he searched the dead woman’s body till he saw her hand closed upon it; whereupon he took it from her grasp and said to the boy, “Thou art indeed my very son, without doubt or dispute; Allah ease thee in this world and the next, even as thou hast eased me of this vile woman! Her attempt led only to her own destruction, and Allah-gifted is he who said:--

When forwards Allah’s aid a man’s intent, * His wish in every case shall find consent:
But an that aid of Allah be refused, * His first attempt shall do him damagement.”

Then King Ma’aruf called aloud to some of his attendants, who came in haste, and he told them what his wife Fatimah the Dung had done and bade them to take her and lay her in a place till the morning. They did his bidding, and next day he gave her in charge to a number of eunuchs, who washed her and shrouded her and made her a tomb and buried her. Thus her coming from Cairo was but to her grave, and Allah-gifted is he who said --

We trod the steps appointed for us: and he whose steps are appointed must tread them.
He whose death is decreed to take place in our land shall not die in any land but that.

And how excellent is the saying of the poet:--

I wot not, whenas to a land I fare, * Good luck pursuing, what my lot shall be.
Whether the fortune I perforce pursue * Or the misfortune which pursueth me.

After this, King Ma’aruf sent for the husbandman, whose guest he had been, when he was a fugitive, and made him his Wazir of the Right and his Chief Counsellor. Then, learning that he had a daughter of passing beauty and loveliness, of qualities nature-ennobled at birth and exalted of worth, he took her to wife; and in due time he married his son. So they abode awhile in all solace of life and its delight and their days were serene and their joys untroubled, till there came to them the Destroyer of delights and the Sunderer of societies, the Depopulator of populous places and the Orphaner of sons and daughters. And glory be to the Living who dieth not and in whose hand are the Keys of the Seen and the Unseen!”


[Wikipedia]

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Monday, December 24, 2007

Twas The Night...

before Christmas and all through that jazz

Here is Mary K Mart the mistress and hostess of the too much fun Drag Bingo in Durham (which I wrote a huge paper on) doing her "Trailer Park" version of the classic "A Visit from St. Nicholas (The Night Before Christmas)" at Flex, a gay club in Raleigh


and here are a few of the hundreds/thousands/millions of re-tellings and reinterpretations
Edwin S. Porter’s 1905 version


1933




Tom & Jerry


Tay Zonday


Al Bundy’s


Blue Collar Comedy


A Cajun Night Before Christmas


John Cleese


and a few rather random ones (by real people!)


by Kaia


some college kids


The Stallions


Dad’s


and Barcelona Edition


I think we’re all lucky I have no follow through and didn’t do my Yiddish version- it’s a Christmas miracle!

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Friday, December 21, 2007

The Amazing Elizabeth Edwards







I wasn't going to focus really on politics or the Election at all today (besides to mention in passing how proud I am of the University of Iowa for keeping their dorms closed on Caucus night to enable their students to spend more time with their families, something that they'll cherish forever, that Ambassador Wilson is a wise man, and some people aren't acknowledging their flip-flops) but Slate had a profile of one of my favorite people, such a strong brave and amazing woman, Elizabeth Edwards. Here are some illuminating passages ( and in its entirety at Slate)

the Edwards place is 28,000 square feet if you include the squash court, with ceilings as high as in some actual cathedrals, and a fireplace in which one could roast a spitted ox. Honestly, if Elizabeth wanted to sit by an indoor waterfall or watch ballgames in her very own stadium out back, who could begrudge her? But this trophy home is at odds not only with her husband's campaign message, but with the way she herself comes across. I would have said it wasn't possible to love both Henry James and a house that could be a Marriot

"I wish my makeup looked like that," she says in greeting, having blown off putting hers on so we'd have more time to talk. In a plum pantsuit and stocking feet, with just a speck of green glitter under one eye from whatever do-it-yourself project she's been up to, she draws one leg up on the couch beside her, and chin on palm on knee, settles in to talk about the recurrence of her cancer—which she feels her husband's rivals are trying to use against him—and her 30 years of marriage to a man "who turned whatever harebrained idea I had into action." Though no more harebrained—or hairbrained, for that matter—than Hillary Clinton, she usually underplays her political savvy, casting herself as the dreamer and her husband as the doer: "That's what makes us a good pair; he gets bored, honestly, just thinking about a problem, and that's why he was so frustrated in the Senate.

he bemoans the fact that the long hallway that connects the main house to the rec complex adds a couple thousand square-footage to the total. The whole point of the campaign, she says, is that John wants everyone to get a fair shot at their dream house—via affordable college, available health care, and decent-paying jobs. Mind you, Republican presidential aspirant "Mitt Romney has tons more money and people don't complain." Nevertheless, "I'm not going to argue I don't have a nice house," she says, but then does: "You've been in our house; you don't say it's exceedingly grand, you say it's exceedingly comfortable. This is not a mansion in the clouds, it's a house where you can come and bring the dogs." Why can't others see it as she does, she wonders, "More as a love story than a macho, muscle-flexing" exercise in look-at-my-big-ol'-house? "I found the land before I had cancer, I drew the house up, and he let me build it."

When I suggest that we mostly wonder why he'd do that in the middle of a presidential campaign, knowing he'd be criticized for living in the wrong half of the Two Americas he talks about, she asks, "Wouldn't that have been worse, really?"—to refrain from doing so just for the sake of appearances? Worse as in more hypocritical? Yes.

friends insist that their 102-acre spread is actually 100 percent Elizabeth, whose husband doesn't any more mind where they live than he does where they buy their clothes (Ross: Dress for Less) or household goods (Target) or celebrate their wedding anniversary (Wendy's). No, the house was all her, trying to provide every conceivable amenity for her kids now, in case she isn't around to shop for them later. It was her, putting their money into what they both value most: not cars and jewelry, but home and family. And by her own account, it was her compensating for the succession of modest homes she grew up in as a Navy brat: "From years of living in military housing, I like a big room," she says, and recalls how some of the bedrooms she had as a kid were so dinky you couldn't even fit the bed in and still close the door all the way. "My dream was to turn in circles if you wanted to." So if there are contradictions on display, she says, they are her own and not her husband's. Which is her position always, as arguably the most protective spouse on the presidential block, a woman who, particularly since the death of their 16-year-old son, Wade, in 1996, instinctively tries to get between her husband and incoming fire: "Blame me, don't blame John," she says, even if in this we never seem to follow her advice.

the match was not immediately recognized as one between equals; she was a phenomenon from the first day, and he was shyer, more soft-spoken. He was small-town, she'd lived all over the world; he was straight out of college, she was four years older; he was completely practical, she loved theory; and he read thrillers, while she read everything but. As their daughter Cate, who is in her second year at Harvard Law, puts it, "She had been out with all these superintellectual grad-school guys who were rather cynical, and he was so hopeful it seemed naive to her at first. But he ended up making her happier." There is no question that today, she really is, as her '04 traveling aide Ryan Montoya puts it, "In my eyes, just like a mother in everything she does. She and my mom have a lot in common. Once, my pants ripped and she said, 'Get me a needle and I'll fix it.'

But her toughness and mommy-lion ferocity are less widely recognized. Though she and her husband do have some open philosophical disagreements—over gay marriage, for instance, which she's all for—and spar regularly over his habit of taking off for a run just as dinner is served, her feelings for him have never seemed the least bit conflicted. On the contrary, she is on his side with a vengeance, and by all accounts harder on staff than the candidate himself is, never over her own status as a principal, but over how her husband is presented and represented. Though I haven't asked, their law-school friend Glenn Bergenfield volunteers that, "She makes some very hard judgments on the people side. It's very hard for me to imagine John firing anybody from the campaign. He's a fighter pilot, but not hard on people, and I can't imagine him ever saying, 'You're not doing a good job,' whereas Elizabeth can. She's the mother of America, but also expects that when people say they're going to do something, they do it."

She also shows annoyance at some of the reaction to the recurrence of her cancer. Her husband's supporters have always seen her as proof of his depth and substance, and detractors as his literal better half. But since her cancer came back last March, her health and their partnership have become even more central to the question of what an Edwards White House would look like. Sure, "We're all going to die," as she told Katie Couric on 60 Minutes. But as anybody who's had cancer—and I belong to that not-very-exclusive club—can attest, reminders of mortality can send even some lifelong friends diving under the furniture. A blogger on the Web site Jezebel laid out the concern bluntly: "Say Edwards wins, and Elizabeth dies two years in. I cannot imagine the strain of mourning your spouse, caring for your children and being president of the U.S."

This is the kind of talk that really pisses off the candidate's wife, who was in any case weary of her status as Saint Elizabeth: "I've got enough reconnaissance to know where some of this is coming from, and it's not all from people who are concerned." Though no such links have been proven—and of course, they almost never are—she suggests that her husband's rivals have been push-polling on her health in Iowa, and that voters often tell her they've been warned by supporters of other campaigns that because of her, her husband isn't in the race to stay.

To which she has a few blunt objects to toss in response: "One, he's already been through the worst, and the loss of a spouse is not as devastating as the loss of a child. Nobody else—John McCain, I guess—has been tested the way John has, and all of our greatest presidents have had staggering causes for grief. Lincoln, Kennedy, Jefferson, our great presidents, almost always had personal tests." Besides which, "There's no reason to believe—John just heard about a new treatment, and bless his heart, is calling doctors to find out about it—but my protocol is working now!" And if that changed, she knows from watching him after Wade died that his reaction would be to try to "turn the turmoil into something positive." That's what led him into politics in the first place.

Even after finding a lump the size of an egg in her breast in 2004, Elizabeth decided not to tell her husband right away. It was 12 days before the presidential election, and one of her worries was that he would insist on attending to her at the expense of the campaign. Another was that if anybody found out why the vice presidential nominee was distracted, he'd be accused of trying to capitalize on the situation. That particular concern—that the reaction of the press to a woman with breast cancer would be to suspect her mate of milking the situation—doubtless says even more about us than it does about them
After Wade died, she'd promised herself he would never have to hear bad news again. Not if there was any way she could spare him.

This year, on their 30th anniversary, they renewed their wedding vows in a private ceremony out back. What their union most suggests about the kind of president her husband would make, she says, pulling her hair off her face, is that "with John, you say the good things and the bad things; that's the interaction in our family and home, so you could expect a high degree of candor" from him in the White House.

And I believe Elizabeth when she says the main effect of her cancer recurrence on her husband is that it's made him more himself—more driven and impatient, because the country and the planet don't have all the time in the world, either: "This isn't anger, it's urgency about where we start as a country, and clarity about where the problems lie.”

She is so strong and inspiring and amazing. I love her so much... I hope I can be like her when I'm older....

SO even if you’re somehow on the fence about John, Vote Elizabeth! (America's Mother)
[Here's a follow up]
(and here is Seamus Heaney' "The Cure at Troy" that I think the author was referencing)


Human beings suffer,
They torture one another,
They get hurt and get hard.
No poem or play or song
Can fully right a wrong
Inflicted and endured.

The innocent in gaols
Beat on their bars together.
A hunger-striker's father
Stands in the graveyard dumb.
The police widow in veils
Faints at the funeral home.

History says, don't hope
On this side of the grave.
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up,
And hope and history rhyme.

So hope for a great sea-change
On the far side of revenge.
Believe that further shore
Is reachable from here.
Believe in miracle
And cures and healing wells.

Call miracle self-healing:
The utter, self-revealing
Double-take of feeling.
If there's fire on the mountain
Or lightning and storm
And a god speaks from the sky

That means someone is hearing
The outcry and the birth-cry
Of new life at its term.

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Tuesday, December 18, 2007

The Beauty of Poetry: The Problem with Presidents

From Harper’s magazine March 1975
The Sultan of Sewers or “When did I stop wanting to be President” by William S. Burroughs



When did I stop wanting to be President? At birth, certainly, and perhapsbefore. In this life or any previous incarnations I have been able to check out, I NEVER wanted to be President. This innate decision was confirmed when I became literate and saw the President pawing babies and spouting bullshit.
I attended Los Alamos Ranch School, where they later made the atom bomb. And bombs bursting in air over Hiroshima gave proof through the night that our flag was already there. There was the Teapot Dome Scandal under President Harding, and I remember the unspeakable Gaston Means. Scion of an aristocratic Southern family, infamous private eye and go-between in this miasma of graft, I remember him walking into a hotel room full of bourbon-drinking, cigar-smoking lobbyists and fixers with a suitcase he puts in the middle of the table. "Fill it up, boys, then we can talk business."

I do not mean to imply that my youthful idealism was repelled by this spectacle. I had by then learned to take a broad, general view of things. My political ambitions were simply of a humbler and less conspicuous caliber: I hoped at one time to become Commissioner of Sewers for St. Louis County. Three hundred dollars a month with every possibility of getting one's slimey little paws deep into a slush fund. And to this end I attended a softball game, where such sinecures were assigned to the deserving and the fortunate. And everybody I met said "Now, I'm old so-and-so runnin' for such-and-such, and anything you do for me I'll appreciate."

My boyish dreams fanned by this heady atmosphere and three mint juleps, I saw myself already in possession of the coveted post which called for a token appearance twice a week to sign a few letters at the old courthouse. While I'm there, might as well put it on the Sheriff for some of the marijuana he has confiscated, and he'd better play ball or I will route a sewer through his front yard. And then across the street to the courthouse cafe for a coffee with other lazy worthless bastards in the same line of business as we wallow in corruption like contented crocodiles.

I never wanted to be a frontman like Harding or Nixon, taking the rap, shaking hands, and making speeches all day. Who in his right mind would want a job like that? As Commissioner of Sewers, I would not be called upon to pet babies, make speeches, shake hands, or have lunch with the Queen. In fact, the fewer voters who knew of my existence, the better. Let Kings and Presidents keep the limelight; I prefer a whiff of coal gas as the sewers rupture for miles around. I have made a deal on the piping which has bought me a 300 thousand dollar home. Although there is talk in the press of sex cults and drug orgies, carried out in the stink of what made them possible, fluttering from the roof of my ranch-style house, over my mint and marijuana, Old Glory floats lazily in the tainted breeze.

But there were sullen mutters of revolt from the peasantry: "My teenage daughters are threatened by this immorality! Is this the American way of life?"

I thought so, and I didn't want it changed.

Sitting in my garden, smoking the sheriff's reefer, coal gas on the wind sweet in my nostrils as the smell of oil to an oilman, or the smell of bullshit to a cattle baron. I sure did a sweet thing on those pipes, and I'm covered too. What I got on the governor wouldn't look good on the front page, would it now? And I have my special police to deal with vandalism and sabotage. All handsome youths, languid and vicious as reptiles. Described in the press as no more than minions, lackeys, and bodyguards to his majesty the Sultan of Sewers.

The thoughts of youth are long, long thoughts. Then I met the guvernatorial candidate, and he looked at me as if trying to focus my image through a telescope, and said in effect, "Anything I do for you I'll depreciate."

And I felt the dream slipping away from me, receding into the past. Dim, jerky, far away, the discreet gold letters on a glass door:

William S. Burroughs, Commissioner of Sanitation

Somehow, I had not intersected. I was not one of them. Perhaps I was simply the wrong shape. Some of my classmates, plump, cynical, unathletic boys with narrow shoulders and broad hips made the grade and went on to banner headlines concerning two million dollars of the taxpayers' money, and a nonexistent bridge or highway, I forget which. It was a long time ago, and I have never aspired to political office since. The Sultan of Sewers lies buried in a distant, 1930s softball game.



And from artist Zoe Leonard a 1992 piece that is still relevant today, and will probably be relevant for a long, long time( with its original spelling and grammar: poetic license and all)
I Want a President

I want a dyke for president. I want a person with aids for president and I want a fag for vice president and I want someone with no health insurance and I want someone who grew up in a place where the earth is so saturated with toxic waste that they didnt have a choice about getting leukemia. I want a president that had an abortion at sixteen and I want a candidate who isnt the lesser of two evils and I want a president who lost their last lover to aids, who still sees that in their eyes every time they lay down to rest, who held their lover in their arms and knew they were dying. I want a president with no airconditioning, a president who has stood on line at the clinic, at the dmv, at the welfare office and has been unemployed and layed off and sexually harrassed and gaybashed and deported. I want someone who has spent the night in the tombs and had a cross burned on their lawn and survived rape. I want someone who has been in love and been hurt, who respects sex, who has made mistakes and learned from them. I want a Black woman for president. I want someone with bad teeth (and an attitude), someone who has eaten (that nasty) hospital food, someone who crossdresses and has done drugs and been in therapy. I wan someone who has committed civil disobedience. And I want to know why this isnt possible. I want to know why we started learning somewhere down the line that a president is always a clown: always a john and never a hooker. Always a boss and never a worker, always a liar, always a theif and never caught"

[Ed. Note- I strongly agree, but I’d be quite happy with John Edwards]

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